Renowned for her iconic work Guerrilla Girls, Hsu Wei-Hui initiated a landmark copyright lawsuit in 2017 against the Japanese toy manufacturer "Village Vanguard" for infringement. Despite a grueling three-year legal battle, she remained steadfast in defending her artistic integrity. The case concluded in a dramatic victory: the manufacturer issued a formal statement acknowledging Hsu’s copyright, setting a significant precedent for creators' rights.

徐薇蕙以代表作《游擊女孩》聞名。2017年針對日本玩具商「比利治玩家」之抄襲行為提起訴訟，歷經三年艱辛法律攻防，即便身處人生低潮仍堅持捍衛創作尊嚴。最終贏得逆轉勝，日商正式發表聲明承認其著作權，成功守護創作者權益。

Hsu Wei-Hui: Resilience Through Softness
Hsu uses mixed media like facial masks and toys to explore female identity. La Vie en Rose addresses anxiety, while Guerrilla Girls uses pink soldiers to symbolize courage, inspiring us to face challenges with unwavering strength.

徐薇蕙：以溫柔捍衛堅韌
徐薇蕙擅以面膜、玩具等複合媒材創作。如《笑顏如花》與《溫柔的武器》探討女性焦慮與化解衝突；《游擊女孩》則以粉紅士兵象徵現代女性在困境中的勇氣，轉化恐懼為堅持的力量。

Hsu Wei-Hui’s solo exhibition, The Unfinished Journey, explores the anxieties and expectations of women in their 30s. Using broken asphalt and red threads to symbolize life’s rugged paths and emotional release, she pairs thousands of clock hands with facial masks to capture the unease of fading youth. Ultimately, a garden of mask-flowers serves as a metaphor for the cycle of life, inviting self-reflection and balance through mirrored imagery.

徐薇蕙個展「未竟之途」探討 30 歲女性的焦慮與期待。透過碎柏油與紅線象徵人生路的崎嶇與情感宣洩；以懸掛的數千枚指針與面膜體現對青春流逝的不安；最終以面膜花海隱喻生命輪迴，在鏡像與反思中尋找自我平衡。